The Six Week Film School
Welcome to the home page for the Six Week Film School. Here you'll find links to articles and resources that will provide context for the films, both individually and as they fit in the series. All materials presented below are of course optional; don't worry, we won't grade you on whether you did your homework.You are welcome to attend any individual film in a series, or join us for all six. All films are free to attend, and there's no need to register or RSVP in advance. Each night will feature a brief introduction and post-show discussion led by Illinois State University's William Thomas McBride.
Fall 2017 - From ALICE to SILENCE: The Scorsese Style
“Marty Scorsese is one of the greatest living filmmakers. He’s earned the right to independently finance a movie and make the movie he wants to make."
- Megan Colligan, Paramount’s marketing and distribution head on SILENCE (2016)
Listen to William Thomas McBride discuss the Six WeekFilm School and Martin Scorsese on WGLT.
ALICE DOESN'T LIVE HERE ANYMORE - Wednesday, September 27th at 7:00pm
TAXI DRIVER - Wednesday, October 4th at 7:00pm
- William Thomas McBride's Chapter on TAXI DRIVER
- From series curator William Thomas McBride: "Last night's post-film lively discussion, concerning Scorsese's style, hand gun violence, and Sunday night's Las Vegas trauma, concluded with an audience member's question: "Was Scorsese's ending of his film a dream?" Interesting points were made on both sides. Driving home Wednesday evening my wife found this article, citing critics, DeNiro, and Scorsese, and seems to settle the question.
THE LAST TEMPTATION OF CHRIST - Wednesday, October 11th at 7:00pm
GANGS OF NEW YORK - Wednesday, October 25th at 7:00pm
HUGO - Wednesday, November 1st at 7:00pm
SILENCE - Wednesday, November 8th at 7:00pm
“My whole life has been movies and religion. That's it. Nothing else.”
- Martin Scorsese
Spring 2017 - Alfred Hitchcock: Master of Style
- SHADOW OF A DOUBT - Wednesday, February 1st at 7:00pm
- SHADOW OF A DOUBT Notes by William Thomas McBride
- Full Script - SHADOW OF A DOUBT
- Uncle Charlie by Gordon McDonell
- Hitchcock Excerpts from Stylized Moments
- 1000 Frames of Hitchcock - SHADOW OF A DOUBT
- NOTORIOUS - Wednesday, February 8th at 7:00pm
- Chapter Five - NOTORIOUS from Stylized Moments--Turning Film Style Into Meaning by William Thomas McBride. (Smashwords, 2013.)
- Foote, John Taintor. "The Song of the Dragon" The Saturday Evening Post Nov 1921.
- Tania Modleski on NOTORIOUS
- 1000 Frames of Hitchcock - NOTORIOUS
- STRANGERS ON A TRAIN - Wednesday, February 15th at 7:00pm
- STRANGERS ON A TRAIN Notes by William Thomas McBride
- Strangers On A Train by Patricia Highsmith
- Fatal Femme - Bruno Antony as Hitchcock's Homosexual Femme Fatale
- Differences in Versions of STRANGERS ON A TRAIN
- 1000 Frames of Hitchcock - STRANGERS ON A TRAIN
- VERTIGO - Wednesday, February 22nd at 7:00pm
- Chapter Six - VERTIGO from Stylized Moments--Turning Film Style Into Meaning by William Thomas McBride. (Smashwords, 2013.)
- Tania Modleski on VERTIGO
- How Alfred Hitchcock Blocks a Scene (video)
- Boileau, Pierre & Thomas Narcejac. D'Entre Les Morts 1954. trans. The Living and the Dead, Geoffrey Sainsbury Part 1
- Boileau, Pierre & Thomas Narcejac. D'Entre Les Morts 1954. trans. The Living and the Dead, Geoffrey Sainsbury Part 2
- 1000 Frames of Hitchcock - VERTIGO
- PSYCHO - Wednesday, March 1st at 7:00pm
- Bloch, Robert. Psycho 1959.
- Reassessing the Saul Bass and Alfred Hitchcock Collaboration
- Who Directed the PSYCHO Shower Scene?
- PSYCHO and Exploitation Films Lecture Notes from Eric Wesselman, Department of Psychology
- 1000 Frames of Hitchcock - PSYCHO
- THE BIRDS - Wednesday, March 8th at 7:00pm
- "Hitchcock and the Wandering Woman: The Influence of Italian Art Cinema on THE BIRDS" Allen, Richard. Hitchcock Annual (2013), volume 18, pages 149-194.
- The Birds by Daphne du Maurier
- 1000 Frames of Hitchcock - THE BIRDS
Hitchcock is one of the greatest inventors of form in the entire history of cinema. Perhaps only Murnau and Eisenstein can sustain comparison with him when it comes to form.
While Hitchcock's oeuvre certainly invites our formal analysis of its cinematic language and a feminist, masculinist, queer problematizing of its psychosexuality, we will not limit our investigations there—grindhouse theory (PSYCHO, STRANGERS ON A TRAIN), ecocriticism (THE BIRDS), music theory (VERTIGO, PSYCHO), marxist and trauma studies (most films)—are all fruitful approaches and welcome.
William Thomas McBride discusses the Six Week Film School theme of "Alfred Hitchcock: Master of Style"
William Thomas McBride discusses the Six Week Film School on WGLT
Alfred Hitchcock Wiki Mainpage
1000 Frames of Hitchcock
“Hitchcock’s Stylized Capture of Post-Adolescent Fatheads.” by William Thomas McBride. Children in the Films of Alfred Hitchcock. Ed. Debbie Olson. Palgrave-McMillan, 2014, pp 237-263.
DIAL H FOR HITCHCOCK (1999)
The Women Who Knew Too Much: Hitchcock and Feminist Theory 2nd Edition by Tania Modleski
Fall 2016 - Film Noir: Visual Style and Fortune
- THE MALTESE FALCON - Wednesday, September 21 at 7:00pm
- Chapter Three - Maltese Falcon (Huston 1940/Hammett 1930) from Stylized Moments--Turning Film Style Into Meaning by William Thomas McBride. (Smashwords, 2013.)
- Full Script - THE MALTESE FALCON
- DOUBLE INDEMNITY - Wednesday, September 28 at 7:00pm
- MURDER, MY SWEET - Wednesday, October 12 at 7:00pm
- Notes on Murder, My Sweet from William Thomas McBride
- Raymond Chandler's "Farewell, my Lovely"
- Murder, My Sweet Shooting Script
- THE POSTMAN ALWAYS RINGS TWICE - Wednesday, October 26 at 7:00pm
- Notes on The Postman Always Rings Twice - Film from William Thomas McBride
- Notes on The Postman Always Rings Twice - Novel from William Thomas McBride
- James M. Cain's "The Postman Always Rings Twice"
- OUT OF THE PAST - Wednesday, November 9 at 7:00pm
- CHINATOWN - Wednesday, November 16 at 7:00pm
How To Be a Glamorous 40's Femme Fatale
Paint It Black: The Family Tree of the Film Noir by Raymond Durgnat. (1970)
“Noir America: Cynics, sluts, heists, and murder most foul.” by Stanley Crouch from Slate. (2007)